Archive for February, 2008

End of an era

Friday, February 29th, 2008

TR8177.jpgHappy Leap Day everyone   Unfortunately, something that will not be returning in 4 years is Polaroid film   It has only been a couple of weeks since the company announced they would no longer be making it   I listened to another story about it today on NPR   Not only is that huge Polaroid camera amazing, but I also found some of the comments interesting in the story.

Dorfman says the “seduction” of the digital camera ” the ability to take picture after picture until snapping a good one ” does not mean it’s actually a better process.

“The person is more on if they know they only have a few shots,” she says.”

I think this highlights an important aspect in image making that maybe will get lost in the digital generation  Slowing down   Just because repeated pixels are ‘free’ – doesn’t mean we don’t owe the capture sufficient time for contemplation   I don’t like that it is applied as a blanket statement towards digital, because it isn’t an equation, that one equals the other   But I have certainly seen it myself, a shutter drive blasting away on a flash card with comments to the effect of ‘I am sure I’ll get one good one in there.’   Being methodical can apply to any medium, and the medium doesn’t have to mean. sloppiness.

“They’ll never know what it was like. If it is the end, it will be a truly gigantic shame for future generations,” he says.”

. This made me think about how I started with 35 mm film, and I have shot Polaroids, but I didn’t really know what it was like for something like photographic plates or daguerrotypes   It certainly would have been interesting to me to have shot on different formats, but I don’t really know if I feel any loss from it.

Digital instant prints are coming soon as a replacement from Polaroid, but I doubt we will see anything like Elsa’s camera in digital form anytime soon   Can you imagine a digital sensor the size of that huge polaroid camera?!  I think there will continue to be demand for instant prints   Many travel photographers rely on polaroids for handing out prints as gifts to their subjects in remote places    For me, I always feel that an image isn’t in its final resting place until it has been printed   It is nice to see that perhaps the end of one era will be replaced by simply a different one – the tradition isn’t lost in the change of medium.

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The Mac Experience – Part 4

Wednesday, February 27th, 2008

WA8075.jpgGetting a new computer can be a great source of fun, as well as a lot of work in migrating all of your software and data over  Adding a new computer with a new type of operating system.. you would think it compounds the work  But actually it has been much easier than I expected  A lot of people worry about software expenses in such a move from PC to Mac   They can add up depending on the applications you use most   My most heavily used applications are from Adobe;  Photoshop, Lightroom, and Dreamweaver, and are probably the most costly to buy outright.

As I mentioned before, Lightroom already has cross-platform licensing, so it was a no brainer, and no cost to switch it   My other apps, I have been holding off on upgrading them because I was anticipating this switch   Dreamweaver also has cross-platform licensing,  so it only cost me the standard upgrade fee to get Dreamweaver CS3 for Mac  (less my NAPP discount of course!)    Photoshop is  a bit more complicated.

Adobe requires you to sign a “Letter of Software Destruction” (sounds ominous doesn’t it!) to transfer your PC license to a Mac license, and then only the normal upgrade fee applies if you are upgrading from an older version   I was moving from PC CS2 to Mac CS3 in this case  They do a lot of digging into your Photoshop history to determine your last full version that was registered (not upgrades)    Other than some time spent on the phone (and you do have to call to get a ‘case number’), it was rather painless   It is a good idea to first start with the 30 day free trial on Mac first to make sure all of your actions, presents, and plugins migrate over OK   Even though I am only a week into my trial, I probably have to start planning my Photoshop for Windows CD destruction party now.

WA8029.jpgI. am already spoiled on the speed I am experiencing in Photoshop CS3 on the MacPro   My PC was quite old I know,  a new PC would probably perform fast just as well  But just to highlight the difference, there is a popular Photoshop benchmark test that is referred to quite a bit here   Give it a try if you want to see how your own computer fares  Be sure to follow their preparation instructions.

Old PC: Dell 8300 Pentium 4 3 GHz, 4GB Ram, ATA hard drives, Windows XP Pro SP2, CS2 : Speed test results  3 min 45 seconds
New Mac:  MacPro 2.8 GHz Harpertown, 6 GB Ram, SATA2 hard drives, Mac OSX 10.5.2, CS3 : Speed test results:  25 seconds  :o

That’s quite a big difference of course, and I am noticing it in how much quicker I can process an image to a fully processed 16×24 size print.

I am still quite a newbie in learning the Mac way, lots of apps still to explore like iPhoto, GarageBand, all the other cool stuff available online   All in all, software migration has been quite painless, and quite easy     Smooth as silky water, and now flowing quite fast! :-)



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Rose Plume Agate & Pietersite

Saturday, February 23rd, 2008

RO8750.jpgSome of the samples I have been photographing are nothing short of amazing in so many ways. I have added a couple more Pietersite pictures and a new one, Rose Plume Agate photos. To contemplate how nature formed something so absolutely fascinating to look at, the fact that these patterns probably formed millions of years ago, and here I am today portraying them is just mind boggling. One of the best parts is that I am only scratching the surface on the possibilities with these pieces of stone and probably earning a junior geologist ranger badge. How do they look under different types of lighting? What if I apply even more magnification? How do the patterns react to different filters? I have really only started.

Pietersite is a type of rock as I described it in my earlier post. This particular sample has about 1000 amazing paintings within it in a couple square inches. The number of images I get from it is really just limited by my time available to sit down and photograph it.

The person I purchased the other stone here from called it Graveyard Point-Regency Rose Plume Agate. It has translucency to it, opening up a variety of possibilities for lighting. Here it is portrayed with some backlight to give it a golden glow. . .  One thing these closeups of Agates remind me of are the deep space images we see of nebulas and other gas clouds. .  The similarity is quite interesting. .  More images have been added to my rock art gallery.

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Happy Birthday Photoshop & Lightroom!

Thursday, February 21st, 2008

RO8281.jpgWell, OK, a couple days belated, but nonetheless, a blogworthy event. There is a wonderful writeup about the history of Photoshop by Jeff Schewe over at Photoshop News, with all sorts of great links and backstory. Photoshop just celebrated its 18th birthday, Camera Raw its 5th, and Lightroom its very 1st. It is quite remarkable that the birthdays of Photoshop, Camera Raw, and Lightroom all coincide at the same time, without any forethought about planning them that way. The Digital Cosmos must come into alignment on February 19.

It is also a coincidence that Feb 19 also happened to be the day I downloaded and installed Photoshop CS3 (ie. v10) for Mac on my new MacPro.  The user license I originally obtained for 3.5″ floppy disks will finally be changed over. 

Reading the articles about the history, I learned that Photoshop has local ties I never knew about. It started in an Ann Arbor, Michigan apartment – where Thomas Knoll started developing it. From there it has grown into a huge industry of seminars, training, books, magazines, plug-ins, and tutorials on doing the same task ten different ways. Who would have thought? Aside from the massive industry it spawned, the generic phrase “Photoshopped” emerged.  The program has played a major role in our feelings, interpretations, debates and attitudes towards the photograph and what it represents.

The link above has a lot of fun and interesting information, check it out   (Oh – and why the rock photo?  Besides just generally being on a rock kick lately, it reminded me of the Big Daddy Photoshop and all the siblings it has spawned  :-) ). 

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The Mac Experience – Part 3

Sunday, February 17th, 2008

Wow, my first post from a MacPro.. I am kinda teary eyed  :)   I am still in the process of migrating data and files from my PC and am quite happy with my decision thus far   There are some statements from Mac users on various things where it ultimately comes down to “It just works.”   I have to say I have had a few of those experiences so far   It is pretty obvious that a lot of attention has been given to the entire experience by Apple    The first time you turn the computer on you are presented with a little video show saying “welcome” in about 20 different languages in front of a little light show   It’s not a big deal, but that small human touch that is nice to see   Those small touches are everywhere, and I am seeing that they all add up to the complete experience.

  • Networking. :  Home networks can always be a somewhat tempermental beast to deal with (or at least what I am used to)   But I hooked my Mac up and was quite pleased to see it was automatically seeing the shared folders and drives I had been using with my PC   No special settings, no configuring or fiddling – I plugged in the cable and it worked  It made it easy to start copying some files over through the network.
  • Dell Printer!  I have a Dell Color laser printer that is also on the network, and the Mac didn’t see this right away   Dell actually makes a Mac driver for this particular printer (!) – so all it took was to download it, figure out how to “unStuff” a “StuffIt” file, and it installed complete with a icon that is a graphic of the actual printer, not a generic one. 
  • Adobe Lightroom. :  I have Adobe Lightroom up and running, and my image catalog already transferred  That also was quite easy   One nice thing about Lightroom is that it already has cross-platform licensing  So I simply downloaded the Mac trial version, and entered my previous serial number from my “PC version.”   Sweet!   I was also able to copy my database over and all my presets   I did encounter one problem with the PC folder names for the previews – they transferred over as a single file to the Mac instead of a folder  Have to figure that one out yet.
  • Email  :  This one had me a bit nervous on transferring my old email over  It was a combination of old email from Outlook Express, imported into Thunderbird, the program I have been using for the past few years   Well, Thunderbird has a Mac version, and I noticed the Mac Mail application has a menu item for Import from Thunderbird   Sweet again!   I copied my Thunderbird profile folders over to my Mac, ran Thunderbird for Mac just to see if it imported – it did!  Then a run of Mail – and it imported all the Thunderbird email no problem   So I will probably end up ditching Thunderbird and using the Mac Mail app since it seems to be integrated with a few other programs within OS X. 
  • Don’t shut me down, only sleep :  One of the more dramatic differences are startup/shutdown times versus what I am used to on PCs   Everything I have read state it is a rare occasion to actually need to reboot a Mac  Most of the time it just sleeps   This means it is nearly instant on / instant off   I grew fond of that real quick  . 

. I am still finding my way around OS X Leopard and trying to adjust to the Mac way of doing things – from determining what programs are running to the unbelievably easy process of installing new applications  ”Drag icon to applications folder” are the instructions you see a lot because that is usually all there is to installing a new program  As mentioned in the comments of “Part 2″ – the mouse is certainly different  I like the little magic ball for scrolling more than a scroll wheel, but hate the right clicking experience of this thing    I think Mighty Mouse’s days are numbered.All-in-all a pretty good experience so far    No technostress.. it has actually been quite fun.

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The Mac Experience – part 2

Thursday, February 14th, 2008

photo.jpgIt is finally here, and Valentine’s Day is probably one of the worst days to receive a new computer, especially one like this. :-) The packaging is rather obvious at what’s inside, probably like little moving billboards for Apple. Not that it is much different than say Dell or a cow-like box from Gateway. Computer manufacturers seem to like using their packaging for touting how many they are shipping around the globe. But it is black, sleek, minimal, Apple. If you have ever bought an Ipod, IPhone, etc – you can tell Apple pays very close attention to their packaging as part of the overall user experience. It is quite a contrast to say a new lens you might get, which is pretty much a plain, brown wrapper as camouflage.

As photographers, we always hope that it is the content that matters above all else, but presentation does factor into overall impressions. It simply cannot be ignored.

But now the migration begins, and feeling like a fish out of water for awhile. I may develop a new strategy in my image storage since I can pack 4 hard drives or 4 TB into this thing. Seems a shame not to take advantage of the fast access on the internal drives and utilize my NAS boxes for backups. More to come!

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The most commonly taken bird photo

Saturday, February 9th, 2008

Yes, perhaps you have seen it here first, and the mystery is now revealed. The question that has lingered in your mind, the answer always elusive. I am here to spill the answer. Below is one of the most commonly taken bird photographs (or something very similar), amateurs and professionals alike. I’ll bet there are enough of these images taken by bird photographers to circle the globe a few times over.

birdgoof.jpg

For every bird photograph you have ever seen, there are at least 10-20 (or more) like this one that you haven’t! Like most wildlife photography, bird photography is no different in requiring perseverance and patience. And despite being in a very ‘birdy’ location, and having some control over the setting and their behavior, there are no guarantees.

I think there are some aspects of bird photography that perhaps some people underestimate – the amount of reflexes, hand-eye-camera coordination, and the need to stay in practice. Words I haven’t followed myself lately. So my diversion from rocks to birds today found me a bit rusty. I particularly admire those that routinely get really good flight photographs. A bird on a stick is one thing, but in flight – an entirely different game.

But even the rusty folk get lucky on a few. I won’t reveal exactly how many were deleted from today’s shoot, but I think you have a pretty big hint. :-)

BI8749.jpg

white-breasted nuthatch photos, black-capped chickadee photos

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New to create the old

Wednesday, February 6th, 2008

TR5861.jpgI subscribe to a CreativePro mailing list because they usually have some pretty good tutorial articles posted on occasion. Recently they posted one about using Photoshop to make your photos take on that old, faded, yellowish look. Anyone that has a non-archival photo album around from 10-20 years ago knows this look quite well if you have bothered to crack that thing open lately. It is not the first time I have seen such a tutorial – there are a few around to achieve that ‘old photo’ look, or attempts to replicate the look of older cameras, like the Holga.

It just got me thinking about the irony of doing these manipulations. We use the latest software and technology, perhaps made on the latest digital cameras, to try to revert back to a look created by using non-archival materials, or dime-store equipment. Perhaps it is more for gimmick, or perhaps some feel a loss of connection with the tactile and fragile nature of photographs in the digital age. Maybe it is for the pure art of it. We have methods to try to restore old photographs to look more modern, and methods to take modern photographs to make them look old. Methods to try to reduce noise and grain, only to put it back in because an image looks too smooth. Go figure.

I wonder if the orange hue due to ozone fading of dye-based inkjet prints will ever become nostalgic? How about badly pixelated JPEGS?.  :-) I admit I have tried some of these techniques just to play with the artistic effects, but haven’t found much application in most of my work. I have some old snapshots from a 110 cartridge film camera from when I was around 12 years old. I can’t see myself trying to recreate that look again. What are some of your predictions of the characteristics of today that we may look back on and try to replicate in the future?

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Pietersite macro art

Sunday, February 3rd, 2008

RO8742.jpgPietersite is one of the gemrocks I have become fascinated with lately, and have been photographing some samples as part of my ‘Inspired by Stone‘ project. I have added some more Pietersite pictures to my Lightroom project gallery, as well as in my Rock Art gallery. It is named after its discoverer, Sid Pieters, a farmer who discovered it in Namibia, Africa in 1962. Since then, it has also been found in China, but only within the past decade or so. Namibia and some regions in China are thought to be the only two places it is found. Pietersite remains an informal name for the brecciated form of tiger’s eye.

RO8745.jpgIts structure is faceted by complicated fibrous bands of color, and no two square inches seem the same. So you can develop quite a few different compositions from a small section of this mineral. It is probably surprising that the two images here are from the same type of gemrock (although different samples). The samples I have so far are from China, but I have my eye out for some from Namibia as well as they are supposed to be unique color variants. Samples from China are known to be stronger in reds and yellows, while samples from Namibia are supposed to have stronger blues and greens.

I am using cross-polarized lighting again on wet samples, using my two little wireless macro flashes, Nikon SB-R200’s. I am really starting to love these little guys. The possibilities for macro art from this particular stone are endless. I hope you enjoy the new additions. The colors lift my spirits some compared to the bleak, grey view out my window.

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