Archive for November, 2008

New Sensor ranking site

Saturday, November 29th, 2008

Image quality is not determined by megapixels alone, and here is a great new resource that.  demonstrates it.  I followed a link to a wonderful website on camera sensors yesterday, and wanted to share it;

DxOMark Sensor rankings

It seems kind of ironic that my last post on feeling pressures to upgrade digital cameras would be followed by this one pointing to a site that may, well.. make you feel a bit insecure about how well your camera ranks compared to others. .  But at the very least, a site like this provides you with some interesting side by side comparisons to help you decide if that new camera really offers some substantial upgrades in image quality to your existing one in areas other than megapixels. .  This new site, offered by DxO labs just launched as of November 17, and is likely to become a nice reference for many photographers.  The folks there did a very nice job at presenting some complex data in a nice, educational, user-friendly format.

The charts are quite interactive.  When exploring the data for your particular camera (or one you are lusting after), hover your mouse along the color gradient on the right side of the tonal or dynamic range charts and watch how the sample image changes.  If you are like me, sometimes it is difficult to translate all of these numbers to actual image quality, and this tool helps you to do just that.

DRcompare.jpg

Even if you aren’t someone who tends to fuss over all of this data (like me!) – these charts offer some practical advice you can use while in the field, like how much dynamic range you might loose by raising the ISO on your camera.  I don’t imagine small fractional differences are significant enough to point someone in one direction or the other in camera choice.  However, out of curiosity I compared my two DSLRs and saw some significant differences. . .  I somewhat regret that I did that – because all it did was place a psychological whammy on me about a camera that I thought performed pretty good over the years.  (I mentioned the problem of rising standards in my last post didn’t I? :-) )

ISOcompare.jpg

The site also offers some interesting information on ISO’s. .  I noticed how the D2X is pretty accurate when comparing the ISO setting on the camera vs. the ISO measured by this standard test.  However, when it comes to some of these sky high ISOs we see in the newer cameras, the ISO setting on the camera may be fibbing a little.  It also appears that some manufacturer’s noses may be longer than others – or more liberal in their rounding methods as allowed by the ISO standards.  (Do you smell marketing influence?).  This is really important to know because in so many pixel peeper comparisons on the net of one ISO on one camera versus another – they are not really comparing apples to apples most of the time.

There is a lot of data provided to explore, contemplate, just look away when it becomes too much. .  There is a lot to be said for trying to use your older camera for as long as possible. .  In the end, all that really matters is that YOU are happy with the image, not where its numbers show up on a chart. .  However, it can’t be denied that there are some genuine advantages to newer technology. .  Tools like this DxO site can help decide when you are ready to make the leap. .  Remember the day when getting better image quality was simply a matter of spending your five bucks on a different film canister.  :-)

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Greener Photography member

Friday, November 21st, 2008

GP_Member_2008.jpg

I am pleased to be accepted as a Greener Photography member, a new site dedicated to spreading and collecting information on how we can make our art and the industries that support it friendlier to the environment.  (Thanks to Jim Goldstein for introducing them to me)

I had written and linked to previously about greener papers, and my rather unsatisfactory response from Epson on recycling. They have since implemented a recycling program, but I find the details of it lacking – especially for recycling electronics.

E-Waste

If you have not seen or read some of the reports about the problems in e-waste, there are articles at National Geographic and a good 60 Minutes video clip at E-Stewards. It is through these articles and sites where I learned a bit more about the Basel Convention,.  a treaty where which makes it illegal to export hazardous waste to lesser developed countries. .  According to this list, “Signatories of the Basel Convention which have not deposed instruments of ratifications: Afghanistan, Haiti, United States of America.”. .  Amazing and very sad.  I certainly don’t claim to know the background about why the US hasn’t joined all of the other countries on this list, but it certainly seems like the premise is good.  Also, check out the disclaimers submitted by the US at the bottom of the list.

Techno-Pressures

Certainly we as photographers, with the increasing amount of digital appliances our art tends to utilize, need to be conscious of these impacts and scenarios with our consumption habits. .  It is the one aspect of digital photography that has bothered me.  Since photography has become “computerized” – there is this “pressure” to keep up with the latest gear, whether it is peer, marketing, or client pressure.  Certainly the marketing machines of the manufacturers can make you feel like your 2 year old camera is “inadequate.”. . .  We have to remember that camera takes the same quality pictures as it did when it was the hottest thing on the block (myself included!). .  As technology advances, unfortunately so do our expectations of it.  Larger files and the latest software eventually require new computers to support them effectively   We are continually setting new bars of what is acceptable – and I don’t see that as always being a good trend.

WA8703.jpgAs the megapixels grow, high ISO quality goes into the stratosphere, perhaps even acceptance criteria from editors and stock agencies will increase, forcing photographers to upgrade to be competitive. .  While in the film days, many people would shoot with cameras 5, 10, 15, even 20 years old. It seemed like 35 mm film really hit a plateau of quality no matter what camera you stuck it in. .  While we can proclaim that we are not utilizing toxic darkroom chemicals or consuming film, we are now engulfed in a technology driven market that isn’t completely filled with pluses.

Nonetheless, I don’t feel like I am wasting as much now. .  Sometimes I would throw away rolls of processed slides or keep very few – and always thought it was so wasteful – not only in direct materials – but processing, shipping to labs, packaging of slides, etc   Photographers aren’t overnighting slide packages to editors to meet submission deadlines.  Yes, techno gear goes obsolete – but hopefully most will consider the reuse/resale route (aka. Ebay) versus contributing to some of the unscrupulous practices of e-waste.

Packaging & Papers

My biggest hurdle is probably print packaging. .  I am opposed to going to rolled prints for smaller sizes, simply because I think opening a flat print provides a more professional appearance and curly prints are just a pain to deal with   Flat prints require cardboard to protect them, so I try to reuse wherever I can. .  Print boxes are also somewhat of a specialty item – not a lot of suppliers carry thin boxes – and particularly ones from recycled materials. .  This one is a continual hunt for better, greener packaging materials. .  Perhaps Greener Photography will ultimately help establish some resources on this one.

There are so many other areas to look at, the list just keeps growing.  If photographers can be organized and accumulate in numbers as one voice, there is hope for driving change in the products we use and love.

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Have you hugged your 61 trees?

Saturday, November 15th, 2008

TR8931.jpgI caught this interesting story on NPR the other day about a professor who used NASA satellite data to calculate an estimate of the total number of trees on Earth. .  That estimate is over 400 billion.  (400,246,300,201 give or take – but probably a better number than anyone could guess!). .  Of course, whenever you have calculated a number like this, you want to slice and dice it up in some interesting ways with other data you might have. .  Professor Nalini Nadkarni did this by calculating the number of trees per person – and ended up with 61. .  Of course, the story goes into how initially she thought this was a good number, but when placed against the tree products used in our daily lives, perhaps not.

I imagine someone else will take this a step further and try to analyze if 61 is probably too low. Exactly what is a good ratio to have for a healthy ecosystem?. .  It is quite amazing when you think about our relationship with this plant. .  I would have to guess that trees or elements of them appear in probably 75% or more of my photographs.

TR8932.jpgLarge guardians..this is an impression I get when looking at some of these upward tree shots from this fall. .  I was trying to create an impression of smallness in comparison to these towering giants (which really weren’t that tall in comparison to say giant redwoods, but exaggerated by using a wide angle lens). .  After all, we are quite small in comparison – and now we know there is only 0.016 of a person per tree. .  A different type of ratio to consider, and quite small indeed.

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Textured photographs

Monday, November 10th, 2008

LE8930.jpgI was searching through my Lightroom catalog today for a client who was looking for some leaf images and came across this one I had completely forgot about. This is an image where I was playing with some blending modes and a texture. The layered file date is from Dec 2007, and the base image was actually shot in 2006. I have always wanted to spend more time playing around with texture/image combinations, and this old experiment reminded me how interesting they can be. .  I always thought these types of images had a certain dimensional feel to them.

If you aren’t familiar with how this is done, it starts with a base image, and on another layer a photograph or some rendering of a texture. .  By using the blending modes in Photoshop between layers, some selective masking, and even more layering – you can come up with some very creative combinations.

Anyway, I didn’t want to leave this just sitting in a forgotten folder, and thought I would bring it to my gallery today.

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Red x?

Wednesday, November 5th, 2008

I am hoping you kind folks can help me with a test. .  I had a visitor mention that my gallery and index page is simply displaying red ‘x’s when visiting (Using Windows IE6, and was also tested using Firefox). .  However, when I have tested it from another PC, from home on my Mac, even from my phone, it seems to display OK. .  I have a feeling it is a local PC issue, but don’t know what to suggest to fix it   I don’t have access to the PC to fiddle with it of course   I also don’t know how widespread this may be or affecting other visitors. .  It looks like this;

graf_1.jpg

If you could please do a quick visit to my gallery and leave a comment here to let me know if it is displaying correctly, and also let me know the browser and operating system you use, that would be very helpful.  The odd thing is the pages and pictures of this blog appear to be fine for them as well as other websites.  It is only the gallery and main splash page that seem to be the issue.

Gallery:.  http://www.grafphoto.com/gallery

Thanks a lot!!

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Be a bender

Sunday, November 2nd, 2008

TR8925.jpgPerhaps a rule bender, or a light bender – both can be done through the use of a specialty lens called a Lensbaby. .  Certainly the Lensbaby is not a new type of lens, they are now on their 4th generation or so.  The operating principle of this lens is that you can bend the lens barrel to create very selective focus points.  The other parts of the image, depending on the aperture disk you are using, go into a characteristic blur.

I have multiple versions of the Lensbaby, each one seemed to get better and address some key opportunities for improvement. .  Even though I have had these gadgets for awhile, I often found it hard to make images I really liked with them   It takes awhile to develop an eye for what situations might work. .  There were also ergonomic issues in operation that might prevent me from taking it out of my camera bag as often as I would have liked.

lensbaby3g-150x150.jpgIf you have ever used some of the versions prior to the 3G, you know that maintaining focus on your ’sweet spot’ can be rather difficult because you have to hand hold the bend position. .  The 3G addressed this limitation by creating a lock down feature, with micro-adjustment screws, that made for a strange-looking contraption on the front of your camera. .  Despite this added control (which the product is now appropriately named “Control Freak”), manipulating can be rather cumbersome.  However, I was able to photograph a tame Sandhill Crane with it in this previous post.

composer.jpgAs much as I did not want to buy yet another version of the Lensbaby, the Composer just seemed to be the right fit for me.  Gone is the quirkyness of operation of the 3G, while the ability to lock the lens in place couldn’t be any easier now.  Instead of bellows type operation, the lens barrel is now like a ballhead, with a focusing ring that allows a greater range.  It is quite innovative, more refined in its design and ergonomics, yet does not give up any of the bending capabilities of the prior versions.  With a lock down ring that also acts like a tension control, you can move the lens around and it will just stay in place.

TR8926.jpgI just finished my first day in the field with my new Composer and am very pleased with how this lens operates. .  Creativity is all about freedom of expression – and if your tools make part of that difficult – you are less likely to use them. .  I think this latest (and hopefully final) version of the Lensbaby will be out of my camera bag much more often now.

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