Archive for March, 2009

Wrinkled old man of nature

Sunday, March 22nd, 2009
Leaf characters

Leaf characters

Similar to portrait photography, not all photographs need to be of glamorous supermodels. I think nature photographers can also be guilty of choosing only the prettiest, most perfect petaled flowers or choosing the bird with flawless colorful plumage. And similar to portrait photography, just as the grittiest, most wrinkled old man can make for an interesting portrait demonstrating character – a recent day in the field found me photographing gritty leaves from an area recently flooded by a river.

Caked with mud and starting the cycle of decay into dirt, I found character in these images that is quite the opposite of say the brilliant colors of fall – or the freshness of dew covered leaves in springtime. Nature doesn’t have to be pretty and glamorous to be alluring, nor does it need to be to make for intriguing photographs.

Mud caked leaves

Mud caked leaves

An interesting observation I had to myself is that I found myself attracted to leaves that were further along in their state of decay as graphical elements. It was almost as if I was searching for the dirtiest, oldest person I could find that had stories to tell.   Leaves that had holes in them or started to turn into their skeletal structures made for great focal points of my compositions. A mud covered leaf floor can look rather static, plain and homogeneous.  I found it a great exercise in seeing to pick out the elements that made a image a bit more dynamic – and symbolic of the change that was happening.

I am reminded of one of my favorite quotes:

“To me, photography is an art of observation. It’s about finding something interesting in an ordinary place… I’ve found it has little to do with the things you see and everything to do with the way you see them.” -Elliott Erwitt

As we leave winter behind and start to look forward to the energy of spring – it is easy to overlook the elements that decay and provide the nutrients for those spring blooms we become so overly enchanted with.  I hope to draw a bit more attention to them with these images.   A short series of decaying leaf pictures with this theme are now in my gallery.

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First day Spring 2009

Friday, March 20th, 2009

Happy First Day of Spring folks – at least for those of you in the Northern Hemisphere.

Red Trillium in bark

Red Trillium in bark

This is one of the wildflower prints that is hanging at Henry Ford West Bloomfield hospital. I originally had this as a horizontal in my gallery (rotated clockwise from here), but the designers asked for it in a vertical.   It doesn’t happen for me very often that an image works equally as well in both orientations – but once I printed it as a vertical – it really grew on me that way.

This image is representative of my “symbiotic compositions” series I am accumulating as a theme.  My original post about it is here.   I particularly liked how the cut outs in the bark resembled petals or leaves  – almost as if they were part of the flower itself.

Let’s hope the energy of spring continues to fill the air – this winter has been one to say good riddance to!

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Deer photos & retreats

Thursday, March 19th, 2009
Always leaving

Always leaving

I had quite a sight in my backyard last night.  We have some jingle bells at our back door that we need to ring before letting our dog out.  Too many critters wandering about, and enough bad experiences with skunks and opossums  to teach us to make sure the “coast is clear” before letting her out in the dark.

We have been seeing deer lately – usually a family group of 4 or 5 that come to raid our bird feeder.  But last night, I think we had the entire local herd.  I kept ringing the bells and making noise only to see more deer coming from other ends of the yard.  All sizes from grown adults to last years fawns.  Occasionally we will get a 10 point or larger.    Total count was about 8 that I could see.  It took them all awhile to rehuddle and decide to leave – but I honestly thought they were going to make a stand.   Our malamute would love nothing better than to give them a good chase – but being so close to a road – I would hate to see them dash in that direction.

We only see them at night – rarely during the day where I can get some photographs.  No matter, it is great to see them visiting.  The shot in this post was from a park not too far away called Stoney Creek.   I originally labeled it “Come play with me” because it carried this message for me that this deer wanted me to follow it off into the field – away from what a human should do – do as the deer do.   We read and hear so much about negatives these days – take an escape and read Guy Tal’s eloquent words about other things to think about.

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Keyword strategies

Thursday, March 12th, 2009

There are so many images on the internet one has to wonder how anyone finds anything they are looking for. I really have sympathy for photo researchers and editors trying to find something very specific, and having to weed through so much of what they don’t want. Of course, as a photographer who markets my work on the internet and through stock agencies – just having a good picture isn’t good enough, having the picture someone wants isn’t good enough – you have to provide a lot of help to getting that image found. And of course, the buzzword here is keywording. It is something that can help finding images in a personal collection for sure, but it takes on a complete artform when trying to work it into business strategies.

Bugs with dots

Bugs with dots

I have been uploading more of my work to Alamy, a stock agency I belong to. I only have a gnat’s eyebrow worth of a presence there compared to their total collection. That’s slightly smaller than a pimple on a flea, but I have made some good sales over the past year even with my tiny amount of work there. They currently have 15 million images online. It seems like a huge number, but how about compare to Corbis with 100 million images in their collection? The number seems to lose some meaning after a certain amount. It’s a hell of a lot! After awhile, it just becomes this sea of pictures of anything you can imagine. Finding those images is up to the photographer, or their arsenal of helpers (in my case – it is me, myself, and I), or maybe even a hired service or software to keyword them appropriately.

I can understand outsourcing the job for some – because it can be a lot of work and very time consuming. In addition to needing a thesaurus, I think you need to be able to objectively look at a picture for it’s many potential uses and thematic elements. You need to be able to change your mindset on words someone else might use to describe it, the ideas it might represent.   You need to think about the commonplace to the obscure.   I think someone who has knowledge of many different cultures also has some advantages because they are more able to generate ideas outside the realms of their own.   Afterall, photographers on the internet are in a global marketplace.

Also, it is a lot like role playing – pretending you are person making the search and thinking about what terms might be important to you.  Putting on the hat of a biologist, layout editor, or interior designer can help you think of new words and concepts.

There are so many aspects of keywording, it can be quite overwhelming actually. In fact, many companies now try to keep keyword’s hidden from view, but are active in searches, because they are considered intellectual property.

Keyword Parents

Keyword Parents

I basically follow the advice of a lot of keyword strategy articles I have read over the years – be methodical and drill down from very vague basic descriptions to the finite details. It all starts in Lightroom for me where my list of words grows basically every time I import a set of images. I have tried to create some general parent categories as shown here, and then place the keywords as children underneath them. It helps me in being methodical about assigning keywords because I can move category to category and pick fitting words in each one. It also takes a lot of discipline. I still have thousands of images that I consider to be not adequately keyworded.

I also find that I come up with new ones from time to time. Older images I may think I have exhausted the thought process on all of the sudden have some new angles to them.   I am not very disciplined at keywording species scientific names and their genus and families – so I already know that is a lot of work that needs to be added.

It is a mundane chore at times.  It can be self-challenging to see how much you can actually come up with.   So having a list in front of you to pick from easily can help a lot – and following the methodology of moving from generic to specific.

I don’t claim to be an expert at this, but think I have had some good practice.   I thought I would share an example of a fairly simplistic image that can generate a lot of different keywords.  Sometimes the more generic and simple the image, the more words you can derive from it because it can mean so many different things.

Water reflection - or something else?

Water reflection - or something else?

Keywords: reflection blue gold yellow water mimosa impressionistic Great Lakes Lake Superior Michigan Pictured Rocks National Lakeshore Upper Peninsula U.P. yellow calm calming colorful gradient gradual color merge blend graphic diagonal angle motion movement peaceful lake pond wet liquid relax relaxation repeating rhythm impressionism sheen shoreline tranquil pretty tranquility complimentary ripple ripples rhythms waves shimmer shimmering fresh horizontal merger merging blending spa space open copy text aqua refreshing refresh dream dreamy dream-like environment environmental aquamarine marine aquatic H2O nature beauty beautiful luminous cool cold warm inviting background…

So I think that is a pretty good list to start – certainly some words more applicable directly than others.  Never underestimate the possible application or thought pattern of someone doing the search.   Who knows, it may be one particular word or phrase that someone uses and finds it as a match to exactly what they are looking for.    Obviously abuses are frowned upon, even penalized if you get too carried away.   Certainly placing some celebrity name in my list for this image is going a bit too far.

I welcome any feedback or suggestions on this subject. It is one that I find as an extremely interesting game of match-making.

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Trying Scary things

Sunday, March 8th, 2009
Rock pillars

Rock pillars

As Paul Burwell writes about in a recent post on things annoying to a wildlife photographer – weddings can be much scarier to photograph than some of the largest predators around.   I happen to agree with him.  :-)   But wedding and portrait photographers certainly have an arsenal of processing tips and tricks to provide some unique images for their clients that we don’t need to be afraid of.  Just because a series of processing steps were designed for a wedding portraiture, it doesn’t mean they cannot be helpful for processing photographs of different subject matter.

Such is the case recently when I downloaded a Lightroom preset called “Alice’s Less Bright Dress” from Presets Heaven.   I applied this preset to some landscape images from Pictured Rocks National Lakeshore, and really liked the initial tonality the settings created.   Quite often the preset defaults don’t get you to the end result right away – but they at least point you in a direction.   A direction in which you might not have

Mineral stains

Mineral stains

considered before.  For these couple of images, I started with the ALBD preset in Lightroom – then in Photoshop applied some luminosity masks, and did some small tweaks in a selective color adjustment layer.   The final images have a bit of a different look to them that I thought looked nice.

Not so scary afterall.   A reminder to myself that the huge bucket of photography tools, whether it is a lens, composition strategy, or processing techniques have broad reaching applications beyond their original intention.

EDIT: A before / after shot of the first image is below per request. :-)

Before only using LR adjustments / After with LR Preset + PS Adjustments

Before only using LR adjustments / After with LR Preset + PS Adjustments

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Photoshop v. Lightroom JPEGs

Wednesday, March 4th, 2009
Photoshop vs. Lightroom JPEG - 100% view

Photoshop vs. Lightroom JPEG - 100% view

I came across an interesting discovery yesterday.  I have been wanting to make a streamlined method for creating JPEGs for submissions for stock using Lightroom.  Normally I would open the image (either RAW or a PSD edited file) in Photoshop, convert to 8 bit, Adobe RGB if necessary, and resize (uprez) the file to 5100 pixels on the longest side so I would have a minimum uncompressed 48 MB file, and save as a Level 12 quality JPEG.   No sharpening involved.

So I tried to simplify this process by creating a Lightroom Preset for stock photo exports.   The Export panel in Lightroom will let you select pixel dimensions (including uprezzing), color space, and JPEG quality.   I saved a few JPEGs at 100% quality, sizing to 5100 pixels longest side, using this method and compared them against their Photoshop counterparts.

Photoshop vs. Lightroom JPEGs

Photoshop vs. Lightroom JPEGs

While it may be hard to illustrate from these screen captures, since they are also JPEGs and resized  – there was definitely a slight quality improvement in the JPEGs exported from Lightroom when viewed at 100%.   A bit more sharpness and detail, and less artifacts.    I think the differences are subtle enough that they may never be noticed in a printed image, but it is nice to know that I can process images using Lightroom’s convenient collection sets, use the export feature much faster, with better quality – than going through the gyrations and multiple steps (even if saved in an action) in Photoshop.   Pretty cool.

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Lake St. Clair

Sunday, March 1st, 2009
Winter Twilight

Winter Twilight

I am always a bit torn on visiting this particular spot on Lake St. Clair – the lake formed between two of our Great Lakes – Huron and Erie.    I love the ice that piles up here, but it is blastin’ cold every time I go out there in the winter.   Yeah, yeah I know – it’s winter!  However, the wind makes it worse.  It is that open landscape and a point that sticks out into the lake that not only provides some clean surroundings, but it is prime territory for a ripping wind.

Working around here can be difficult.  In addition to the cold, you may have to walk or climb over some rocks and stacked ice sheets.  And just like that box of chocolates, you never know what to expect.   I walk the safer areas of ice thickness, so the bigger risk is falling and getting an ice sheet in my skull vs. falling through any ice into water.

Lake St. Clair

Lake St. Clair

So in other words, there is a bit of effort involved to photograph here, to get to the particular ice formations that catch your eye.   Today I only walked away with a handful of images, maybe 1 or 2 keepers at best.   Since the forescast for a partly cloudy sky never came to be, the sun became real bright, real quick.  When that happens, I am done shooting here.   Most of my images here are captured before sunrise anyway.  When the sun comes up, it looks quite bleak and barren.  So you have to work relatively fast in an area where it is difficult to move around a lot.

The unique images I get here are the only reason I keep going back from time to time.  The ice is always different year to year.  Although walking away with one or two keepers is great,  I have to admit yearning for a bit more reward for the effort at times.

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