Archive for April, 2009

Listening to complexity

Sunday, April 26th, 2009
Clinton River woodland, Nikon D700, 70-200 f2.8 VR

Tangled Woods

If there is one word that could describe the woods near where I live – I think that word would be ‘complexity.’   A word that can cause a lot of problems for landscape photography.  These woods are filled with knarly branches, thorny vines, logs and twigs all over the woodland floor.  The entire woods is practically a floodplain, so the Clinton River, which flows through it, often brings more debris to contribute after a heavy rain.   There are a lot of dead and fallen trees creating haphazard lines and intersections everywhere.  As soon as summer kicks in, it then gets filled with poison ivy – which seems to be spreading more and more each year.  When that happens, I am pretty much done exploring until the next fall.  I consider it the perfect example of chaos in nature.  Fairly easy to find a lot of macro subjects to photograph, but a lot more difficult when it comes to landscape.

I have often struggled on ways to portray the woods near where I live.  After all, they say some of your best images come from the areas you know well.   I know it pretty well, and conclude it is very messy.   Despite trying to find simple graphical elements to concentrate on, there are always tension driving elements fighting against trying to formulate some type of harmony in a scene.    As with any landscape, perhaps more so in a complex one, the light and weather conditions need to provide the harmony.  There has to be something that ties all the cluttered bits together.

I wrote before about snow being a great simplifier – and I think rain & fog do a pretty adequate job as well.   In these two images, the overnight rain and morning fog have helped reduce the contrast.   The early spring buds have given some elements of interest I think, and particularly for the second image here, some type of textural harmony.   My preference is for the second image here over the one above if I had to pick between the two.  The first one certainly shows the chaos I am attempting to deal with.   I tried to give it some structure by framing the spring buds between the two strong trees.   I photographed this from my backyard where chaos starts just outside the back fence.

Spring textures

Spring textures

The second provides the soft light and textures of early spring, with soft coloring.  It was photographed right at the end of my block near a trail where we usually take our dog for a walk.   Interesting that I find myself staring into this particular image more than I have ever spent time at this particular spot.

When we read or hear about a scene speaking to us, perhaps it happens more often than we are able to listen.   I am still trying to figure out what our woods are trying to tell me.

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Good medicine

Thursday, April 23rd, 2009

After a long winter funk, and a slow start to get into spring, this video is a dose of good medicine for any photographer – Zack Arias’s Transform.   So thank you Michael and Gary for tipping me on to it, and especially Zack Arias for creating it.

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Going both ways

Monday, April 20th, 2009
Monochrome bloodroot & acorns

Monochrome bloodroot & acorns

Umm… no – get your mind out of the gutter.   I am referring to black & white vs. color photography!   As much as I like to think a photograph speaks to me as wanting to be black & white from the start, quite often it just doesn’t happen that way.  I will process an image in color and start to notice certain characteristics that might look great as a monochrome.   Or on a whim, it is just a “what if” moment.   Actually I am quite fond of black & white imagery, it has a great classic appeal, and removes so many distractions that color may impose.

However, there are images where I am just quite fickle – and I like it both ways – bouncing back and forth between liking one version just a little better.  This recent shot of the bloodroot and acorns is one of them.  Old wood is nearly always a great candidate – and similar to the contrast of fall and spring that exists in the subject matter – the contrast of fragile and delicate vs. rough and weathered becomes more pronounced in the black and white version.    It is one of the instances where I cannot simply show just one version – so now both are out there.   I am sure there are people that will prefer one over the other – that’s just the way it goes.   That is fine with me – since I like them both – you aren’t going to hurt my feelings by choosing sides.

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Spring wildflower photography

Saturday, April 18th, 2009
Bloodroot & acorns

Bloodroot & acorns

Spring wildflowers have finally started to bloom around here.  A long, wet winter should prove beneficial for the growing season I hope.  At least there will be some rewards from it.   Most spring wildflowers are closed up early in the morning, so you have to make some time adjustments.   I still end up going out fairly early anyway because I either photograph some closed buds, or usually find something else around.

If anything, it is a nice quiet time to do some scouting and just observe what is going on – get into the mood.  I watched some deer for awhile feeding on the spring morsels that were popping up.     I found an area that might prove to be good for wood ducks.  There are a few nesting boxes, and there were already about a half dozen of them hanging around them.   Very skittish of course.   Nonetheless, it is a nice time just to be outside.   On the flip side, getting up and down has served as a reminder for my back and knees that this gets a little harder every year.

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Not so funny

Monday, April 13th, 2009

Ok Aaron, as much as I like your strip, you are really touching a sensitive spot here with today’s… :-)

wtd687

wtd687

You really know how to hit a Midwesterner where it counts buddy.   I won’t deny that perhaps a snowstorm in May can yield some interesting possibilities, but let the sensitivity from a harsh winter dull a bit will ya?

Snowfall in May

Snowfall in May

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Easter lilies

Saturday, April 11th, 2009
Easter Lilies, Belle Isle Conservatory, Detroit, Michigan

Easter Lilies, Belle Isle Conservatory, Detroit, Michigan

Photographed today on a family trip with my wife Lisa to the Belle Isle Conservatory near Downtown Detroit, Michigan.   Since the conservatory is crowded this time of year, as well as it being primarily a trip for family photos – I was sans-tripod.   It feels very strange for me to photograph without a tripod – almost to the point of paranoia.   For those of you who photograph with one regularly – I think you know what I mean.   Fortunately I was able to crank up my ISO on my D700 and with a VR 105 mm lens  – it helped alleviate my nervousness.  This was only ISO 800.

This particular image seemed to have a certain balance to it that I liked.   It is something that can be difficult for me to achieve with often chaotic groups of flowers.

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Visualization

Wednesday, April 8th, 2009

I stumbled across a gem of a video just recently over on LensCulture, found from another site – I suppose it is being passed around a bit now.  We sometimes hear about the term “visualization” of photographs – essentially composing them in your mind before actually pressing the shutter.   The short video clip is of Ansel Adams speaking about this aspect of making a photograph.   I found his words quite inspirational.   Thank you to Mark Silber and the Ansel Adams Gallery for the footage.


The Key to a Photograph from Ansel Adams from SilberStudios.Tv on Vimeo.

This reminds me of a key point when perhaps a critic is questioning a photographer’s interpretation of any particular scene.  Whether it reflects “reality” or not quite frankly becomes irrelevant if the photographer is trying to recreate what was seen in their mind’s eye to start with.   Unless someone has some psychic photo-mojo powers, only the photographer really knows what it should look like.   That mind’s eye can be a fickle thing – what it should look like today may not be what it wants it to look like in the future.

So if you are ever having any doubts about how to portray your subjects – take the advice from the man himself who was certainly one of the pioneers of developing an image into what he saw in his head, felt in his soul, and not necessarily only with his eyes.

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Pictured Rocks National Lakeshore

Sunday, April 5th, 2009
Filling Horizontal space

Filling Horizontal space

Stock photographers are always reminded to shoot both verticals and horizontals of their subjects because you never know which is going to fit an editors needs better.   Are they looking for cover material better suited to a vertical, or a two-page spread better suited to a horizontal.    It makes me think about how a simple matter of orientation can dictate a photograph’s usefulness for a specified purpose.   A spectacular horizontal format image is basically useless to someone needing a vertical one.

I find that it can be a rare circumstance that a subject works equally as well in both formats.  More often the geometry of the subject and other elements in the scene dictate which frame orientation works better for it.   In this example I shot up at Pictured Rocks National Lakeshore in Michigan, I find both ways to work equally as well.    The version someone picks for a print or stock image may depend on if they have a horizontal wall space to fill, or a vertical one.   Quite often, the orientation of the image may even take precedent in importance over the actual image itself.   So it is a big plus to find a subject that can work both ways.

Verticals - a natural fit for covers

Verticals - a natural fit for covers

I haven’t always shot both formats – and even in cases today I don’t because it looks awkward in one versus the other.   I know one thing is guaranteed though – if I only shoot a horizontal – I know for sure someday someone will ask me if I have a vertical of that same shot.   So sometimes I have to overcome my artistic stubbornness to think about providing flexibility for potential uses.

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Going back to film

Wednesday, April 1st, 2009
No place like home

No place like home

Having switched over to digital capture now for a number of years, I have certainly learned a lot about the pluses – as well as the minuses. As much as the benefits are nice to drool over, in many ways I miss the simpler days. I never used to worry about backing up my slides, feel pressured to have the latest megapixel offering, or worry about the next generation of processing software bringing my computer to its knees. Who ever thought of the term “Digital Asset Management” when using Velvia??? I have felt there is a price to be paid for engaging in this digital madness – in ways much more than what hits your wallet.

So with that – I say hello to Velvia again and bring my ol’ F5 out of the drawer. I don’t have to worry about how much dynamic range I can get out of you – it is pretty much a fixed, known value. I don’t have to fret over how you will be processed – it is the same every time.   I will have the opportunity again to forget when is the last time I had to replace my batteries.  I will dust off the light table and the loupe, and look forward to the textural interface I will have again with my images. No instantaneous delete button, but the often difficult but necessary decision to banish that mounted slide to a trashcan will come back.  No need for exhaustive searches of keywords to find images .  I will simply pull a page of slides out of my filing cabinet and scanning through them in front of a light table.  I don’t even need power to do it – I can do it by candlelight.

There is so much to be said for keeping it simple.   It is time to embrace it.

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